The Audient EVO 16 provides ultra-low latency performance delivering pristine sound thanks to the 24-bit/192kHz audio resolution. In the studio, every second counts - and with rock-solid driver performance, high-speed USB connection, and ultra-low latency monitoring, EVO 16 will always deliver the reliability needed to keep up with your creativity. I only have minor gripes mainly with the software and a generic issue with all the audio interfaces I've seen where you cannot select the input type it's always based on the input jack. Anyone who does want to rackmount it can register their unit to receive an optional kit, and the feet are easily removed. The outputs generate a maximum level of +12dBu, while the hottest that can be accommodated at the inputs is +16dBu.

The future-proof design also includes a range of digital connections, providing support for both ADAT and SPDIF, allowing you to expand your mic preamps down the line.Essentially I use the 828 as an 8 channel mixer, with cue/pfl on each channel, and I’m able to preset EQ and routing in advance. EVO 16 takes critical listening seriously and is packed full of monitoring functionality to back it up.

Audient’s approach to software and hardware control with EVO 16 hopes to improve upon this often overlooked aspect of interface use.

Quite a few interfaces now offer similar options, which are very useful for streaming, podcasting, vlogging and other such activities. presumably A‑weighted, though this is not stated) and the A‑D converters deliver a dynamic range of 112. There’s no physical on/off switch, but the EVO 16 can be powered down by pressing and holding the main encoder. The Motion user interface (UI) has been designed to change the way you interact with your audio interface.